Welcome to the world of Voiceover, where even the tiniest sounds can make a big impact! Let’s talk about two pesky characters that can turn your audio from smooth to startling: plosives and sibilants.

First up, plosives. Imagine you’re in the studio, and you drop a big ol' "P" sound. What happens? Your microphone might startle like it’s been hit with a tiny sonic boom. 🎇 This is why pop filters are a voiceover artist's best friend. These little nylon or metal screens, which might look like a mini space shield, are there to catch those explosive bursts of air that come with plosive consonants like "P" and "B". They make sure that your audio stays crisp and clear without turning into a gusty wind tunnel.

Now, onto sibilants—the sneaky "S" sounds that can slither through your recordings. Imagine a snake softly hissing in your ear. That’s a sibilant for you. 🐍 While a bit less violent than a plosive, sibilants can still make your audio a bit too sibilant for comfort. Keep in mind that studios often use a “de-esser” to tame these slippery sounds, smoothing them out so they don’t dominate your track (and the more advanced you are as your own home studio engineer - the more you can master them as well).

Understanding these technical quirks can really boost your recording game. Kknowing what these things are give you the knowledge to ensure that your voice shines through without any unwanted distractions. So, next time you’re in the studio, remember: If you pay attention to the little things - you'll achieve greatness in the big things!